The portal set
Hero and gallery frames cropped for realestate.com.au and Domain, lit to stop the scroll in a column of sameness. The listing is the storefront; these are the windows.
3D rendering for project marketers
Launch-ready, on the date.
The full campaign set in one grade: exteriors, interiors, aerials and every crop, on the date.
Why us
A campaign eats assets.
Producing them eats weeks.
And AI creep is not an option.
That is the corner project marketing sits in: every channel wants its own frames, making them the old way eats the schedule, and pushing them through AI tools yourself risks the geometry drifting on a project that has to be represented accurately. The campaign pack is the answer: one set, one grade, every crop, checked against the drawings, and re-cut fast when the campaign shifts.
What the set covers
Every channel, one grade, one supplier.
The hoarding and signage
Print-resolution masters that hold up at four metres wide. The dusk hero on the hoarding is often the campaign image the suburb remembers.
The social cutdowns
The same frames delivered in feed and story ratios, graded identically, so paid and organic read as one campaign rather than a scrapbook.
The suite and the deck
Large-format interiors for the display suite walls and clean frames for the sales deck, pulled from the same masters. Nothing re-shot, nothing off-grade.
The demo
From the architect’s file to the campaign.
Left is what you get handed: drawings and a deadline. Right is what you hand back: the launch. Scroll, and watch one become the other.
The handover
What marketing inherits: the architectural set, a finishes schedule, a launch date.
The campaign pack
The campaign hero, graded for every channel: portal, print, social, suite.
Pricing
Priced before we start.
Scoped to the shot list, + GST on everything. The schedule is part of the quote.
Campaign
from $2,100 + GST
The full set from final model: agreed shot list, one grade, every crop, proofs before finals.
Exploration
from $600 + GST
Creative directions before the campaign locks: test looks while the strategy is still fluid.
Got ongoing work? We do subscriptions: your style on file, member rates, and your jobs first in the queue.
FAQ
Questions people often ask
Do you deliver the channel crops?
Yes, inside the pack: portal ratios for realestate.com.au and Domain, print resolution for brochures and hoardings, and the social cutdowns. One set of masters, every crop you listed at brief.
Can you keep one look across the whole campaign?
That is the reason to run the set through one supplier. Cameras, lighting and grade are locked at brief, so the portal tile, the hoarding and the brochure spread read as one project instead of three vendors.
The launch date is fixed. Can you hold it?
The delivery date is on the quote before you commit. If the model is late from upstream, tell us the real dates and we will tell you straight what is achievable.
How do revisions work against a deadline?
Proofs land with time to react: two rounds inside a campaign set. Mark up the proof sheet once, in one voice, and the revision cycle stays inside the schedule instead of eating it.
Can the images run in paid media?
Anywhere. The finals are owned outright on final payment: paid social, display, portals, print, outdoor. No usage tiers, no licence renewals mid-campaign.
We use AI tools in-house. Why not do this ourselves?
For mood boards and pitches, do. For campaign assets, the risk is the geometry drifting and the project being misrepresented to buyers. Our pipeline is AI-fast, but every frame is checked against the architectural set before it ships, and re-cuts come off the approved masters.
What do you need from me to start?
The architect’s finished model, or the renders already made, plus the finishes schedule and the campaign direction if one exists. A PDF set alone is not enough for a campaign. We propose the shot list and camera angles back with the quote, you adjust, and production starts.