The quote hero
A builder quoting a knockdown rebuild or custom home against two competitors. The quote with the finished facade in it is the one the client can picture signing.
3D exterior rendering
The image most jobs start with.
Facades, streetscapes, aerials and dusk heroes from your model or renders. Days, not weeks.
The work
Where an exterior render earns its keep
Most jobs start outside: the facade in the quote, the streetscape for the neighbours, the dusk hero on the hoarding. All of it comes from the model or renders you already have.
The facade range
Volume builders run on facade options. One rendered range, one grade across every scheme and colourway, beats photography from an estate three releases old.
The streetscape
Townhouse rows and two-on-a-block. How the whole development sits on the street, for the agent, the neighbours and the bank.
The aerial
The whole site in one frame: siting, staging and outlook for estates and multi-dwelling projects. Priced into the set like any other frame.
The mapping
From your geometry, exactly
Every frame starts as your file. The camera is locked before either plate is rendered, so the CAD form and the finished image line up to the pixel, and the same geometry holds from every angle.
The CAD form
Where your file is today: massing, apertures, siting.
The finished frame
The same camera, rendered. Zero drift between the two.
Front
Corner
Rear
The hard stuff
The fly-through.
One good frame is easy now. A building that survives a moving camera without drifting is the hard part, and it is the part we built the tooling for. Scroll to fly.
The hard stuff
Dusk to lit windows.
One camera, the sun swept down through dusk into night. The light moves; the geometry does not. Scroll to run the sun.
The shots
The shot list
The dusk hero
The money shot: warm interior light, deep sky, made for the hoarding and the portal.
The streetscape
The whole row on the street: siting, landscaping, the neighbours where they matter.
Scheme 01
Same geometry, first colourway.
Scheme 02
Same geometry, second colourway.
Scheme 03
Same geometry, third colourway.
The aerial
Siting, staging and outlook in one frame.
The fine grain
Where AI alone goes wrong
Same design, side by side: what a raw generative tool does to a real building under the microscope, and what leaves our pipeline instead.
Raw AI output
The same design through a chat app, one pass, no correction: the roofline redrawn, the entry glazing moved, the banksia turned into a generic street tree. Red is what the check could not find. 23% of the model gone.
Checked against the model
The same camera through our pipeline, measured against the same file: structure holding in grey, only foliage and texture added in teal. 1.7%, and it ships.
Pricing
Priced before we start
The exact number is confirmed once we check your file, and it is the number on the invoice.
Exploration
from $600 + GST
Early plans in, a spread of directions back in days. Made for deciding.
Campaign
from $2,100 + GST
The finished set from your final model, one grade across every image.
FAQ
Questions people often ask
What do you need from me?
For ideas and options, anything: elevations, a site plan and the colour schedule if the materials matter to the shot. For a marketing set, send a finished model or the renders you already have. If the model still needs building, it is generally best to update the model within the existing architectural pipeline.
Can you show the same design in different materials?
Yes. That is what Exploration is for: the same design run through material and colour directions, one grade across the spread, so the decision gets made off images instead of arguments.
Do you do aerials and site shots?
Yes. Siting, streetscape and outlook in one frame, for estates and multi-dwelling projects. An aerial is priced into the set like any other image.
Daylight or dusk?
Either, or both. Daylight reads honest and clear; dusk with lit windows sells. Lighting is set per shot at brief, and a mixed set keeps one grade across the campaign.
What about landscaping and the neighbours?
Site context is part of the shot: landscaping, driveways, fencing and neighbouring buildings where they matter. Context adds complexity, and complexity is itemised in the quote, straight.
What do finals come as?
High-res files with crops for portals, print, hoardings and social. Yours outright on final payment.